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Erotokritos & Aretousa
Erotokritos & Aretousa
12.00 €
Bolivian Baroque Vol. I,  Florilegium - - Add to del.icio.us Bolivian Baroque Vol. I,  Florilegium - - Add to Digg Bolivian Baroque Vol. I,  Florilegium - - Add to Yahoo myWeb Bolivian Baroque Vol. I,  Florilegium - - Add to Spurl Bolivian Baroque Vol. I,  Florilegium - - Add to furl Bolivian Baroque Vol. I,  Florilegium - - Add to Ask Bolivian Baroque Vol. I,  Florilegium - - Add to Squidoo Bolivian Baroque Vol. I,  Florilegium - - Add to Simpy Bolivian Baroque Vol. I,  Florilegium - - Add to Reddit Bolivian Baroque Vol. I,  Florilegium - - Add to ma.gnolia Bolivian Baroque Vol. I,  Florilegium - - Share with facebook Bolivian Baroque Vol. I,  Florilegium - - Add to Google Bookmark Bolivian Baroque Vol. I,  Florilegium - - Tweet This
Bolivian Baroque Vol. I, Florilegium -
[CCS SA 22105]
20.00 €



Title: Bolivian Baroque Vol. I
Florilegium

Performers:
Florilegium
Ashley Solomon baroque flute,recorder
Kati Debretzeni violin Sarah Moffatt violin
Jennifer Morsches cello
Robert Nairn bass
Eligio Quinteiro theorbo, guitar
James Johnstone harpsichord,organ

Bolivian soloists
Katia Escalera soprano
Henry Villca tenor
Alejandra Wayar soprano
Gian-Carla Tisera mezzo soprano


Notes & Reviews

SACD-Requires Special CD Player
Released: 2004

Booklet: 32 pages

Booklet printed in the following languages: English, French
Libretto printed in the following languages: English, Latin

Baroque Music in the Jesuit Reducciones (Settlements) The study of the music in the South American archives has revolutionized our knowledge of the musical culture in the urban and missionary centres between the XVI and XVIII Centuries in the Americas. European, native South American and Creole (Spaniards born in South America) composers and musicians created a uniquely South American Renaissance and Baroque repertoire, comparable in its magnitude and originality to the musical innovations of the outstanding European musical centres of that time. To date two important collections of South American missionary music have been preserved. The first can be found in Concepcin, Bolivia, at the Library of the Vicariato Apostlico de Nuflo de Chvez. This collection comes from the missionary churches of San Rafael and Santa Ana. The other, discovered and organised more recently, belongs to the collection of music manuscripts of the former Jesuit Mission of the Moxos Indians, in Bolivia. Copies of the latter were still being produced up to the 1990s. Several vocal works with accompaniment can be found in both collections, as well as a truly exceptional group of instrumental pieces within the Latin American repertoire, which usually consists only of a vocal and choral repertoire and not an instrumental one. Although a big part of the composition is of Indian authorship (with texts in native languages: Chiquitana, Baure, Moxa, Canichana, Guarani), the manuscripts include also six Masses of Giovanni Battista Bassani (1657-1716), two motets by Johann Joseph Ignaz Brentner (1689-1720) and 14 compositions by Domenico Zipolli (1688-1726), which have been used as models for the music teaching which was disseminated at the missions. Its value is unique and is the only means of clarifying our knowledge of the musical culture of the ancient missions in the Americas......

Titles

 

Tracks and Sound Clips

Beatus Vir, for soprano, choir, 2 violins & continuo: Beatus vir
Beatus Vir, for soprano, choir, 2 violins & continuo: Exortum est
Beatus Vir, for soprano, choir, 2 violins & continuo: Incundus homo
Beatus Vir, for soprano, choir, 2 violins & continuo: Peccator videbit
Beatus Vir, for soprano, choir, 2 violins & continuo: Gloria Patri
Beatus Vir, for soprano, choir, 2 violins & continuo: Sicut erat
Sonata Chiquitanas 18 for 2 violins & continuo: Allegro
Sonata Chiquitanas 18 for 2 violins & continuo: Andante
Sonata Chiquitanas 18 for 2 violins & continuo: Presto
Aqui ta naqui Iyai, for voice & ensemble: Aqui ta naqui
Aqui ta naqui Iyai, for voice & ensemble: Chapie, iyai Jesu Christo
In hoc Mundo, for voice & ensemble: Sonata
In hoc Mundo, for voice & ensemble: Recitative In hoc mundo
In hoc Mundo, for voice & ensemble: In te spero
In hoc Mundo, for voice & ensemble: Recitative Eia Ioannes
In hoc Mundo, for voice & ensemble: Tunc lectus organis
La Folia, for 2 violins: Allegro
La Folia, for 2 violins: Largo
La Folia, for 2 violins: Allegro
In hac Mensa Novi Regis, aria for voice & ensemble
Caema, Iyae Jesus, motet for voice & ensemble: Sonata
Caema, Iyae Jesus, motet for voice & ensemble: Recitative Caema, Iyae Jesus
Caema, Iyae Jesus, motet for voice & ensemble: Acuacereca inema
Pastoreta Ychepe Flauta, for recorder, violin & continuo: Untitled
Pastoreta Ychepe Flauta, for recorder, violin & continuo: Allegro
Pastoreta Ychepe Flauta, for recorder, violin & continuo: Adagio
Pastoreta Ychepe Flauta, for recorder, violin & continuo: Allegro
Ascendit Deus in jubilatione, aria for voice & ensemble
Exaltate Regem Regum, for voice & ensemble
Improvisation

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